On New Year’s morning, Sharunas wakes up next to the charming guy Martin, while his girlfriend Iveta is in the shower. Sharunas can’t help but wonder if things will ever be the same again. Meantime, Martin wishes him a Happy Next Year.

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Longtime friends and strangers mingle while spending the holiday on the snowy Slovakian mountains with an ample dose of ridiculousness and romance.

A war-torn marine returns home to face his fiercest battle yet - the one against himself.

In Happy New Year, Jinjoon Lee juxtaposes the joy of New Year celebrations with the harsh realities of war and disasters. Combining digital utopias with classical art forms, the installation calls for reflection on the tension between illusion, apathy and our shared reality. Jinjoon Lee’s Happy New Year is an interactive art installation that juxtaposes the festive beginning of a new year with the harsh realities of war, disasters and climate crises. Using a game engine, Lee creates a seemingly utopian landscape, reminiscent of the positive worlds created by artificial intelligence. These serene images show how technology can blind us to urgent and uncomfortable truths, alienating us from current tragedies. Lee combines contemporary technology with traditional art forms such as Korean Chaekgeori (still life paintings of books and objects), Western ‘wonder rooms’ and the Buddhist Wheel of Reincarnation, where heaven and hell and life and death constantly alternate. These references give this fictional world deeper meaning, one in which beauty and decay go hand in hand. With Happy New Year, Lee invites us to reflect on the contradictions of our existence: the longing for utopias versus harsh reality, and the apathy that arises when we ignore that reality.

Before ringing in the new year, a man heads to Bangkok for a job opportunity but chaos ensues when his girlfriend and her brother decide to take a trip.

Minnie and Quinn were both born in London on New Year’s Day, in the same hospital, one minute apart. Thirty years later — and very different people — they find themselves thrown together again in the same city on New Year’s Eve.

Bernard Slade’s wickedly funny comedy explores a love affair between two seemingly ordinary people who meet once a year. SAME TIME, NEXT YEAR deftly examines the monumental political, social, and personal changes that impact their lives over the course of 25 years. Full of clever dialogue, comical visuals, and unexpected admissions, this play will have you laughing one moment and wiping away tears the next.

A comedy about a New Year Eve celebration in one very funny hospital.

Man and woman have a couple of one-night-stands spread out over 15 or 20 years.